Friday, September 26, 2014

Long Time, No Write, and some changes in direction

It's been a long time. I think my new goal will be to post at least once a week. I'd become discouraged in the last year or so because just posting, "I'm very busy at my day job and can barely write" over and over again would be pretty pointless.

Things have changed a lot for me in recent months, mostly for the positive. The bottom line is for various reasons, I'm now free of my primary day job. Now, for various other reasons, this doesn't mean I get 100% time to write (for one thing I have children, and I'm heavily involved in editing for my wife), but I do have a lot more time to write.

I'd hoped to have the final book in the Osland Trilogy finished, but I'm only about half-done. I'm not going to give any firm projected times at this point other than "before the end of the year", as I just seem to be terrible about that, and it is unfair to my readers. We'll see more going forward if I can do a bit better about that.

I've had a lot of time to reflect, even during the periods where my writing was fairly limited. There's a lot of types of things that are perhaps a bit more idiosyncratic to my tastes that I've avoided working on because I've worried they weren't "commercial enough." Some of this is an artifact of me being more interested in traditional publishing before finally committing to self-publishing and worrying about what agents might want, but the bottom line is I don't know if I've truly devoted myself to writing the kind of books, in general, that please me versus a mix of my pure ideas and what I thought I "had to write" to get an audience.

Now, don't get me wrong. I like everything I've published, but in the back of my mind, I've always been tweaking characters, plots, set-up, et cetera with the idea that those tweaks would help with marketability. Not saying that's wrong, and for many authors, their natural writing inclinations just line up better with certain audiences, but for me, I think it's led to a muddled focus.

As a result, I think I've produced a number of books that aren't as strong as they could be, even if I did like them, and I feel they were good books overall. I've very grateful for the readers who have enjoyed my books, but, at the same time, I wonder if I've been robbing them of a better experience because I'm letting these doubts influence my writing process.

The main reason I started writing was to express my personal creativity. I wrote for years (mainly short stories) without any thought of publishing or even, to be honest, other readers than myself. Back when NaNoWriMo first started, I realized I did have it in me to write a novel with proper motivation.

Now, those early efforts were completely unreadable, but they were good practice for some of my later books, which judging by reader reactions, are at least somewhat readable.

So, where do we go from here?

Well, for one thing, I'm going to just write what I feel like without a particular concern about neatly fitting into certain genres or expectations. Honestly, this doesn't mean I'm going to be producing something all that transgressive, but more I'm trying to return to why I started writing in the first place.

What does this mean in terms of my future writing? A few things really.

I intend to finish the final book in the Osland Trilogy (about half-way through that), but I'm unlikely to have a follow-up to A WOMAN OF PROPER ACCOMPLISHMENTS. I do appreciate the readers who liked it (the admittedly small number, if we're being honesty), but I think it was an experiment that didn't quite come out the way I truly wanted, but still, it was worth doing.

I'll primarily be focusing mostly on pure non-YA fantasy in the foreseeable future. Now, I may mess with sub-genres a bit, but probably nothing as directly identifiable as, for example, pure romance (not that I won't have romantic elements) or pure mystery. Many of my books will continue to feature strong and intelligent female protagonists as well.

I'm doing research on a project of, uh, well limited commercial appeal. I've been burning for a while with the desire to write a suspense/thriller set in Heian Japan. Although I'm familiar with the general history of the period, there's a lot of research needed to get the fine details right. Of course, just doing the research has opened up more plot possibilities. Now, this project can't get started probably for a year or so due to the research requirements, but if I have a true "dream" project, that one probably is it.

My core process going forward, and starting in mid-October (because I'm on vacation for a bit), will involve me working on one core main novel and rotating through serials (probably bi-monthly serials).

A sequel will be coming for MIND CRAFTER, but I don't have a firm ETC for that yet. I originally started work on that earlier this summer, but became a bit disillusioned for various reasons, but I actually do believe in the series and want to keep going.

THE FINAL CITY, the last in the Osland Trilogy, will be the primary novel focus probably until the end of the year, maybe sooner depending on how quickly I can get it done.

Why the serials? This is not really because I think serials are the light at the way or whatever, but honestly just because I want to be able to write a lot of different things at the same time. I want to experiment to see what kind of stories I'm truly enjoying writing.

One of my problems has always been the surfeit of ideas swirling around. Writing serials are a way that I can scratch that itch.

On the other hand, I get that some people despise that format, so I'll be putting serials into collections probably every 6 or 7 episodes. With each episode being around 15,000 words or so, that means the collections will be a novel-length bundle of work, and I'll be organizing them accordingly.

So, here's my general plan for the next three months:

1) Blog once weekly: This probably won't involve a lot of history blogging or interviews because at this point, I want to focus more purely on just getting words on the virtual page, but you may see an occasional interview or announcement related to friends of mine.

2) Finish up THE FINAL CITY, hopefully by the end of this year if not sooner.

3) Finish up the sequel to MIND CRAFTER by spring of next year. I actually have a draft, but it was written years ago, and I'm extremely dissatisfied with its quality, so there's a lot of work to be done.

4) Start on two serial bi-monthly serial projects. I'll reveal more about this once I'm closer to releasing episodes. Currently, I'm tentatively looking at November for the first serial release.

I feel good about where I'm going with my writing, and I've been pleased with the readers I've been able to reach at this point.

Saturday, January 18, 2014

The Eternal City, Book 2 of the Osland Trilogy

Months after a shocking showdown, Gail Dorjee is doing her best to recover and settle into her new role as a Rift Watcher at Osland Academy. Her friends are distant, and she’s uncomfortable with her growing relationship with the handsome Nick MacEvoy. That’s all stressful enough, even before she wakes up one night to a ghost warning her about a powerful enemy coming to Osland to seek vengeance.

The suspicious and timely arrival of a too perfect foreign exchange student feeds Gail’s paranoia. It doesn’t help that killer shadows keep appearing.

At a place known for beautiful lies, she finds it difficult to trust anyone, even herself, but with the rift in danger, she has to risk her life and friendships to carve through the darkness and find her true enemy.

Now available at AmazonSmashwords, Kobo, and Barnes and Noble.

This title will be available at Kobo within 72 hours, and most other major vendors within a few weeks.

For those of you who haven't read The Emerald City, the first book in the Osland Trilogy, I direct you to here.

Wednesday, December 18, 2013

Big Book/Ebook Giveaway

Over at Cookie's Book Club, from December 21st-30th, there's going to a giveaway for a variety of different book bundles in several different genres. If you like free books, you should probably check it out.

There's a preview post up today that features some of the books that will be given away, but authors are still contributing, so even more to come over the next few days.

Sunday, November 3, 2013

Herding Historical Author Cats: An Interview with the Founder of the English Historical Fiction Authors Blog Debra Brown

1) Please tell us a bit what the English Historical Fictions Authors blog is all about. What sort of content is present on the blog?

The blog has a daily British history post written by one of many historical fiction authors. The eras and topics range widely from Roman Britain to World War II, and from warfare and weapons to tea, food, and dance.

2) What sort of other web presence does the group have other than the blog?
As a group we have a public Facebook page, English Historical Fiction Authors, where we chat on history and historical fiction with other authors, reviewers, and readers. Each member has their own web presence as well, book sites, blogs, Facebook pages, Twitter accounts, etc. We interact frequently everywhere.

3) What motivated you to start the blog?

I was making an effort to market my first book and felt fairly alone in the jungle. I wanted to blog about England, but had very little background in history and had to do an overwhelming amount of research. I felt that there must be other people like myself who wanted to learn more about British history in small bites, and that we could have a steady stream of information if we had enough people to produce one daily post, so I invited people who had obviously done their homework to share what they had learned.

4) What's your goal with this group?

I hope we will continue as we have been for over two years now with a daily post and friendly conversations on Facebook. I believe it has been informative, fun, and helpful to us all.

5) What originally made you interested in English history?

As a child, I had a seven volume set of books called My Book House. They were captivating, with bits from great writers such as Chaucer, Shakespeare, and Keats. They also had detailed drawings and paintings that introduced me to castles, cliffs, land divided by hedgerows, fashions from past eras, and many things that I hardly understood from old English culture. I loved it, and over the decades to come I picked up information and began to better understand what I had seen.

6) A recent collection of essays from the blog came out, Castles, Customs, and Kings came out. Please tell us about that.

After we celebrated the first anniversary of the blog, one of our authors, Deborah Swift, suggested we put together a book from some of the first year's posts. After a year of sorting, editing, and proofreading, we have, with the help of Madison Street Publishing, released Castles, Customs, and Kings: True Tales by English Historical Fiction Authors—a large, thick book of topics just a few pages long. The subjects are organized chronologically so the book flows nicely over the passing of centuries. A person can pick it up and start at any point, however, and have a satisfying read during a coffee break. It would be a good waiting room book or a nice gift for someone who loves Britain or history. We also kept the price below $20 USD, so hopefully everyone who wanted a copy in print could have it.

7) Please tell us a bit about your work.

My first novel is The Companion of Lady Holmeshire, the early Victorian story of a former servant girl who receives a rude reception in polite society. It is an Austen type of story with surprising twists and turns. I have also started a Victorian novel I call For the Skylark, the story of adult twins who were raised isolated on an estate by their wealthy, reclusive mother. Evangeline cannot cope when she “loses” Dante, her brother and only friend, to love.

8) There is a lot of content on the blog. Please tell us about a few of your favorite entries.

I especially enjoy Richard Denning's post, Old English—The Language of the Anglo Saxons, in which he has a YouTube video of the Lord's Prayer read in the old tongue to eerie music. Though there are countless other fascinating topics, there have been a few by different authors on the Bayeaux Tapestry that stand out in my mind. It is a story of the Norman conquest of England told in complex, coded needlework on a long stretch of linen that has lasted for nearly a thousand years. The age of it alone is awe-inspiring, but I love the explanations given for the symbols sewn in above and below the actual stitched story itself.


Thanks, Debra.

The books mentioned are available at the following links:

Castles, Customs, and Kings:

Amazon US
Amazon UK
Barnes and Noble